Unlike the so-called 'Supercontemplations' (1993) which involved the use of mixed-case syllabic word groupings to create a banded impression, this consequent volume, geological dating from 1994, uses upper-case syllabic words alone, and thus contrasts with the lower--case integrity of the three volumes of 'Contemplations' with which the author/artist began his abstract journey, a journey which comes to completion here, with several of his most absorbing impressionistic patterns.